Inxs Hutchence, M.K. v. South Seas Bubble Company Pty Ltd t/as Bootleg T-Shirts & Ors [1986] FCA 48
Federal Court of Australia
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CATCHWORDS
TRADE PRACTICES - Application for continuation of ex parte
injunction - Production and distribution by respondents of
T-shirts substantially identical to those sold by, or in
association with, applicants - Knowledge by section of public
of sale by or on behalf of applicants of clothing - Likelihood
of deception of that section - Whether adoption by respondents
of name "Bootleg Industries" and use of disclaiming stickers
and labels avoids likelihood of purchasers being misled or
deceived.
PASSING OFF - Use of plaintiffs' name by defendant - Wrongful
appropriation of plaintiffs' name and reputation.
COPYRIGHT - Design "applied industrially" by application to
T-shirts - Design not registered under Designs Act in respect
of T-shirts - Effect of s.77 of Copyright Act.
Trade Practices Act 1974 ss.52, 53, 75B
Copyright Act 1968 ss.10, 32, 33, 74, 77
Designs Act 1906 ss.4, 17, 20, 23, 30
Office Cleaning Services Limited v Westminster Window and
General Cleaners Limited (1946) 63 RPC 39, Australian Woollen
Millis Limited v F 3 Walton & Company Limited (1937) 58 CLR
641, Nostac Enterprises Pty Limited v New Concept Import
Services Pty Limited (1981) ATPR 40-235, Radio Corporation Pty
Limited v Disney (1937) 57 CLR 448, Lego System Aktieselskab v
Lego M Lemeistrich Limited £19831 FSR 155, Erven Warnink
Besloten Vennootschap v J Townend & Sons (Hull) Limited £1979]
AC 731, Henderson v Radio Corporation Pty Limited £1960] SR
(NSW) 576, TPotalization Agency Board v Turf News Pty Limited
£1967] VR 605 applied.
Chase Manhattan Overseas Corporation v Chase Corporation
Limited (Wilcox J, 24 December 1985, not reported), Global
Sportsman Limited vy Mirror Newspapers Limited (1984) 55 ALR
25, Hornsby Building Information Centre Pty Limited v Sydney
Building Information Centre Pty Limited (1978) 140 CLR 216,
Abundant Earth Pty Limited v R C Products Pty Limited (1984)
59 ALR 211, Littlewoods Pools Limited's Application (1949) 66
RPC 309, Tavener Rutledge Limited v Trexapalm Limited £1977]
RPC 275 referred to.
NSW G.18 of 1986
MICHAEL KELLAND HUTCHENCE, ANDREW CHARLES FARRIS, TIMOTHY
WILLTAM FARRIS, JOHATHAN JAMES FARRIS, KIRK PENGILLY AND GARRY
WILLIAM BEERS all t/as "INXS" & ORS v SOUTH SEAS BUBBLE
COMPANY PTY LIMITED t/as BOOTLEG T-SHIRTS & ORS
Wilcox J.
Sydney
28 February 1986
IN THE FEDERAL COURT OF AUSTRALIA
NEW SOUTH WALES DISTRICT REGISTRY
GENERAL DIVISION
et ee tree ere ~~
BETWEEN :
No. G.18 of 1986
MICHAEL KELLAND HUTCHENCE,
ANDREW CHARLES FARRISS,
TIMOTHY WILLIAM FARRISS,
JONATHAN JAMES FARRIS,
KIRK PENGILLY AND
GARRY WILLIAM BEERS
all t/as "INXS"
First Applicant
DUSTBARKO PTY LIMITED
t/as MMA MANAGEMENT
Second Applicant
STARSTRUCK MERCHANDISING
PLY LIMITED
Third Applicant
HARIKLIA HERTSTANIDIS
Fourth Applicant
PHILIP MORTLOCK
Fifth Applicant
SOUTH SEAS BUBBLE COMPANY
PTY LIMITED
t/as BOOTLEG T-SHIRTS
First Respondent
DAPHNE VERA PEARSON
Second Respondent
DESMOND PEARSON
Third Respondent
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IVY PRINTING PTY LIMITED
Fourth Respondent
CORAM: WILCOX J.
DATE: 28 FEBRUARY 1986
PLACE: SYDNEY
REASONS FOR JUDGMENT
Michael Kelland Hutchence, Andrew Charles Farris,
Timothy William Farris, Jonathan James Farris, Kirk Pengilly
and Garry William Beers, the first applicants in these
proceedings, are the members of a rock music group which was
formed in 1977 and which, since 1979, has been known as INXS;
pronounced "in excess". The group has made numerous records,
some of which have achieved high sales volumes both in
Australia and overseas. As at mid-January 1986 the two
biggest selling albums "The Swing" -- issued in 1983 -- and
"Listen Like Thieves" -- issued in 1985 -- had sold 306,027
and 206,269 copies respectively . In May 1985 INXS and its
members won seven awards at the annual Countdown Awards
including "The Most Outstanding Achievement Award", which is
voted for by persons within the rock music industry, and "Most
Popular Australian Group", which is voted for by members of
the public. The group carries out an active concert program,
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drawing substantial audiences. In its 39 concert Australian
tour, of all States and Territories, in August-September 1985
it played to a total audience exceeding 129,000.
The success of INXS has generated, and no doubt in
turn has been further stimulated by, considerable media
publicity. Samples of publicity in the print media were
admitted into evidence, not as proof of the assertions therein
but to demonstrate the extent of public awareness of the
group. In addition, the group has enjoyed extensive attention
in the electronic media. There can be no doubt that INXS is
well known amongst aficionados of rock music in Australia and
probably amongst an even wider audience.
According to the affidavit of Mr Garry Van Egmond,
an entertainment entrepreneur of some 20 years standing, there
has developed in Australia over the last ten years what he
calls "a sizeable industry" which is involved in the sale of
merchandise associated with rock groups. Mr Van Egmond agreed
with an estimate that sales of such merchandise in 1986 would
be "in the order of $10 million". Mr Van Egmond was himself a
pioneer in this field, in which he is now involved through his
company Starstruck Merchandising Pty Limited, the third :
applicant. Not unnaturally, the members of INXS decided to
participate in this industry, acting through their agent, a
management company, Dustbarko Pty Limited, trading as MMA
Management. It appears that the principals of Dustbarko,
Messrs Chris Murphy and Gary Grant, manage all of the business
affairs of INXS -- including the sale of merchandise -- in
return for a percentage of all income, including royalties
from the sale of merchandise. Dustbarko is the second
applicant herein.
During the last three years two firms, Acme T-Shirts
and Sabotage, have manufactured and distributed merchandise --
mainly T-shirts -- under licence from INXS, given through MMA
Management. That merchandise has always referred to INXS,
usually using the name of the group and/or of one of its
better known songs, and has been in fact approved by the
members of the group. The evidence is that the members of the
group, and their management agent, have always been particular
about the quality of merchandise marketed in association with
them. They have sometimes required an improvement in design
before giving their approval to proposed products. Sales have
been made to the public by Acme T-shirts and Sabotage through
retail outlets -- predominantly record shops -- and at INXS
concerts. It is not necessary to go into the detail of the
evidence as to the volume of merchandise thus sold, and upon
which the members of the group have received percentage
royalties. It is sufficient to say that this by-product of
the group's success as entertainers became during this period
a substantial business in its own right, providing to the
members of the group a significant additional income. For
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NOTE:
Exhibits B, C and D be retained; other exhibits may
be returned.
Settlement and entry of orders is dealt with in
Order 36 of the Federal Court Rules.
example, and without suggesting that this result was
necessarily typical, the gross royalties earned by the group
from merchandise sold at 10 concerts in April 1984, amounted
to $15,797.
In late 1983 Philip Mortlock, Creative Services
Manager of the company which distributes INXS records, was
asked by Mr Murphy to design a cover for the album "The
Swing", then in production. Mr Murphy gave to Mr Mortlock a
photograph of the group which had been taken in England and
asked Mr Mortlock to create a design incorporating the
photograph. He was asked to prepare the design on his own
behalf outside business hours, the basis being that INXS would
own the copyright. Mr Mortlock produced artwork which was
délivered to Mr Murphy. Mr Murphy told him that the artwork
was acceptable to the members of the group and it was in fact
used for the album. One of the three T-shirts distributed by
the first respondent, and in relation to which complaint is
made in these proceedings, exactly reproduced most of the
features of Mr Mortlock's design, including the photograph and
the distinctive lettering of the words "INXS The Swing".
During the course of the present hearing Mr Mortlock was, by
consent, joined as the fifth applicant herein.
In June 1985 Ms Hariklia Heristanidis, a graphic
artist, was asked by Mr David Glover of Starstruck to design
two T-shirts for the then forthcoming Australian and world
Bane er eee ee a . —
IN THE FEDERAL COURT OF AUSTRALIA
NEW SOUTH WALES DISTRICT REGISTRY
GENERAL DIVISTON
BETWEEN :
wee ew
No. G.18 of 1986
MICHAEL KELLAND HUTCHENCE,
ANDREW CHARLES FARRISS,
TIMOTHY WILLIAM FARRIS,
JONATHAN JAMES FARRIS,
KIRK PENGILLY AND
GARRY WILLIAM BEERS
all t/as "INXS"
First Applicant
DUSTBARKO PTY LIMITED
t/as MMA MANAGEMENT
Second Applicant
STARSTRUCK MERCHANDISING
Pry LIMITED
Third Applicant
HARIKLA HERISTANIDIS
Fourth Applicant
PHILIP MORTLOCK
Fifth Applicant
SOUTH SEAS RUBBLE COMPANY
Pry LIMITED
t/as BOOTLEG T-SHIRTS
First Respondent
DAPHNE VERA PEARSON
Second Respondent
DESMOND PEARSON
Third Respondent
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Ww
.
IVY PRINTING PTY LIMITED
Fourth Respondent
CORAM: = WILCOX J.
DATE: 28 FEBRUARY 1986
PLACE: SYDNEY
MINUTE OF ORDERS
THE COURT ORDERS THAT upon the applicants by their counsel
giving the usual undertaking as to damages:
1. Order 1 made on 22 January 1986 be dissolved.
The first and fourth respondents and each of them be
bo
.
restrained, by themselves, their servants or agents,
until further order from:
(a) printing, screening, silk screening,
advertising, promoting, displaying, offering for
sale, selling or otherwise in trade or commerce
dealing with any T-shirts or other garments
which bear or embody the design known as "The
Swing" design and which is shown on exhibit
D herein, or any part of that design; or
(b) advertising, promoting, displaying, offering for
sale, selling or otherwise in trade or commerce
dealing with, any T-shirts or other garments
were coe ee ns - -
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which bear or embody the designs known as the
"flag" design or the "Listen Like Thieves"
design and which are shown on exhibits B and C
herein, or either of them, or any part of either
of them.
The second and third respondents and each of them be
restrained, until further order, from being knowingly
concerned in the advertising, promotion, display,
offering for sale, selling or otherwise in trade or
commerce dealing with any T-shirts or other garments
which bear or embody any of the designs referred to
in order 2 herein or any part of any of those
designs.
The respondents, and each of them, have liberty to
apply, on three (3) days' notice to all other parties
herein, in relation to the dissolution or vacation of
orders 2 and 3 herein or either of them.
The costs of the application for continuation of the
orders made on 22 January 1986, being the proceedings
heard on 24 January and 4 February 1986, be costs of
the applicants in the principal proceedings against
the first, second and third respondents.
tours of INXS. She did so. The designs were approved by the
members of INXS. Ms Heristanidis received a fee for her
services from Starstruck and, on 22 July 1985, she assigned to
Starstruck all copyright in the two designs. However, for
more abundant caution, Ms Heristanidis was during the hearing
joined as the fourth applicant.
The two designs created by Ms Heristanidis have been
referred to as the "flag" design and the "Listen Like Thieves"
design. The flag design consists of a grey and white
representation of a flag containing the letters "INXS" on the
front of the garment and, on the back, the words "Listen Like
Thieves", "World Tour '85" followed by a list of places, in
Australia, Europe and North America, intended to be visited
during the period August-November 1985. The lettering of the
words "Listen Like Thieves" is designed so as to look like the
lettering of the same words on the cover of the album of that
name, Underneath the flag, on the front of the T-shirt as it
was printed, was inserted a copyright symbol, followed by
"INKS 1985".
The "Listen Like Thieves" design is also double
faceted. On the front of the garment appear the letters, in
large script, "INXS", underlain by the words "Listen Like
Thieves" and a photograph of the members of the group set
against a fragment of the map of southern Queensland and
northern New South Wales. The rear design repeats the
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7.
inscriptions "INXS" and "Listen Like Thieves" and includes a
Jist of cities to be visited in what is called "Australian
Tour 1985". On the front of the T-shirt appear the same
symbols claiming copyright as on the "flag" design.
On 14 August 1985 the members of INXS entered into an
agreement with Starstruck whereby they granted to that company
an exclusive right, during the period of the Australian tour
and any agreed extension, to exploit what was called the
"Name". The "Name" was defined as "the name(s), character(s),
symboi(s), design(s), logo, identification(s), trademark(s),
likeness(es) and visual representation(s)... of the artist
professionally known as 'INXS'". The term of the agreement
has been extended so that the agreement remains in force. The
agreement made detailed provision for the sale by Starstruck
at INXS concerts in Australia of "products bearing the Name
which are approved by" INXS. Provision was made for the
payment of royalties, calculated on a sliding scale dependent
upon the average takings per head of paying patrons at each
concert, and for the payment of advances, totalling $125,000,
recoupable only out of royalties.
Pursuant to the agreement Starstruck sold merchandise
during the 1985 Australian tour'to the gross value of
$379,432. The evidence does not disclose the precise amount
of royalties payable to INXS but they must have been roughly
the amount of the advance. According to the records of MMA
8.
Management, the sales included 10,7605 "Listen Like Thieves"
T-shirts, 468 sweatshirts of the same design, 2,662 "flag"
T-shirts, 416 "flag" sweatshirts and 11,537 programs. The
cover of the programs reproduced the design of the front of
the "Listen Like Thieves" T-shirt.
The evidence does not disclose why it was that, in
1975, the company formerly known as Heather Creations Pty
Limited, the first respondent in these proceedings, took the
evocative title South Sea Bubble Company Pty Limited. The
sole directors and shareholders of the company are Daphne Vera
Pearson and Desmond Pearson, the second and third respondents
herein. On 1 March 1985 they registered under the Business
Names Act 1962 (NSW) a business entitled "Bootleg T-Shirts".
The application for registration showed the proposed business
as being "T-shirt retailing" and the proprietor to be South
Sea Bubble Company Pty Limited.
It appears that the practice of Mr and Mrs Pearson is
to take existing designs -- predominantly designs associated
with pop groups -- to have copies made on their behalf by the
fourth respondent, Ivy Printing Pty Limited, and to sell these
T-shirts at places such as Paddy's Market in Sydney. Pursuant
to this practice Mr and Mrs Pearson arranged for the
production of a quantity of T-shirts fairly faithfully
reproducing each of the T-shirts designed by Ms Heristanidis
and, as mentioned, most of the features of Mr Mortlock's cover
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9.
design for "The Swing" album, I say "fairly faithfully", in
relation to Ms Heristanidis' designs, because there are some
minor differences between the originals and the copies: in
each case Mr and Mrs Pearson omitted the reference to
copyright, there are variations in the colour shades of the
"Listen Like Thieves" T-shirt and the background map fragment
has inexplicably slipped a little to the south. But the
copies retain all the INXS symbols, including name, references
to the 1985 tour, photographs and general layout.
Early in January 1986 Margaret Shearer, the Business
Affairs Officer of INXS and of MMA Management, received some
information about the sale of T-shirts at Paddy's Market. On
11 January 1986 Peter Wise, the solicitor for the applicants,
went to Paddy's market and found a stall bearing a sign
"Bootleg T-shirts". He purchased, inter alia, three T-shirts
bearing the name "INXS", and being one each of the
respondents' version of the "flag", "Swing" and "Listen Like
Thieves" T-shirts. Mr Wise observed a small handwritten sign
at the front of the stall with words to the effect of: "Some
of the garments on sale and display have not been authorised
by the relevant parties i.e. Midnight Oil, INXS, etc.. These
are genuine bootleg products". However the effect of this
opportunistic frankness was dissipated by what was said to Mr
Wise when he enquired the meaning of the sign. The assistant
to whom he put that question replied that it had something to
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10.
do with copyright, that "we don't have approval for everything
here", only to be interrupted by another assistant who assured
him that they did have approval from Midnight Oi1 and INXS.
On 18 January 1986 Megan O'Rourke, a secretary
employed by the solicitors for the applicants, went to Paddy's
Market and to the stall visited by Mr Wise. Ms O'Rourke did
not see the sign "Bootleg T-shirts", although she did notice
that the sales assistants wore T-shirts with that inscription.
She asked: "What INXS T-shirts do you have?" and was shown,
and purchased, a further copy of each of the three T-shirts
purchased by Mr Wise.
Bach of the garments purchased by Mr Wise and Ms
QO'Rourke bears a label and/or an adhesive sticker containing
the words "The manufacturer does not warrant the depiction
hereon has been authorised". Each of the labels is small --
about 5 3q. cm. -- and is sewn onto the garment immediately
underneath a larger manufacturer's label. Each of the
stickers is larger than the manufacturer's label. There is no
evidence that either Mr Wise or Ms O'Rourke noticed any label
or sticker before completing their respective purchases.
Neither did any of three young people, Robyn Reid, Darren
Tovey and Robert Crawford, who were approached by a
representative of the applicants whilst they were visiting
Pier One on 27 January 1986, were shown the respondents'
T-shirts and asked what the inscription "INXS" meant to them;
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although Ms Reid did comment that if she had been shopping for
a T-shirt she probably would have noticed the sticker because
she would have been looking for size.
On 22 January 1986, on the application of the first,
second and third applicants, I made ex parte orders
restraining the respondents, and each of them, from
manufacturing, printing, screening, silk screening,
advertising, promoting, displaying, offering for sale, selling
or otherwise in trade or commerce dealing with any T-shirts or
other garments which bear or embody the design appearing on
the applicants' "flag" T-shirt, the applicants' "Listen Like
Thieves" T-shirt or the album cover of "The Swing" or which
bear or embody the word "INXS" and from passing off as and for
the T-shirts of those applicants any T-shirts not of their
manufacture. I also made an order against Ivy Printing
requiring that company to permit, under defined conditions,
two persons, being members or employees of the applicants'
solicitors, to enter certain premises occupied by it for the
purpose of searching for and removing certain goods and
records: cf Anton Piller K G v Manufacturing Processes
Limited €19763 1 Ch 55; Universal City Studios Inc v Mukhtar
& Sons Limited (1976) 2 FSR 252. I gave leave to the
applicants to file an Application returnable on 24 January
1986.
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12.
On 24 January the applicants sought a continuation of
the restraining injunction granted ex parte. This application
was opposed by counsel for the first, second and third
respondents but, after some argument, I continued the
injunction pending disposal of the application for
interlocutory relief. Between that day and the full hearing
of that application on 4 February 1986 further evidence was
filed on behalf of the applicants so that a considerable
volume of factual material is now before the Court. Although
the current proceedings are merely an application for the
continuation of an interlocutory injunction, it seems unlikely
that the factual position at any trial of the action would
aiffer significantly from that which appears at the present
time. In practical terms, and having regard to the market
life of these T-shirts, the current application is likely to
be determinative of the position of the parties, at least in
relation to these particular designs.
The fourth respondent, Ivy Printing, has taken no
active part in the hearing regarding continuation of the
restraining injunction. Unless otherwise indicated, I shall
use the term "the respondents" to refer only to the first,
second and third respondents.
The respondents do not deny that they have copied the
designs of the applicants; indeed their counsel formally
admitted on their behalf that the T-shirts about which
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13.
complaint is made in these proceedings are T-shirts which his
clients procured to be manufactured through the fourth
respondent. Neither do the respondents deny that they were
engaged in the distribution and sale of the T-shirts so
manufactured. Through their counsel, they assert an
entitlement to do as they have done.
Trade Practices claims
The case for the applicants rests upon four bases:
3.52 of the Trade Practices Act 1974, s.53(c) of that Act,
passing off and copyright. The first three causes of action
considerably overlap. The applicants argue that each of the
T-shirts, containing as each does the name "INXS" and other
symbols associated with the band, contains a representation
that the T-shirt {3 produced or distributed by, or with the
approval of, the members of the band; that it is "an INXS
T-shirt". It being undisputed that the T-shirts distributed
by the respondents do not have this characteristic, the
applicants submit that the conduct of the respondents offends
against s.52 of the Trade Practices Act, being "conduct that
1s misleading or deceptive or is likely to mislead or
deceive". Further, it is said, the respondents, in connection
with the supply of the T-shirts are falsely representing that
those goods have a sponsorship or approval -- that is by INXS
-- that they do not have, contrary to s.53(c). Although
proceedings do not lie directly against Mr and Mrs Pearson,
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14.
under 38.52 and 53(c), the applicants invoke s.75B of the
Trade Practices Act claiming that those two people have been
knowingly concerned in the conduct of South Seas Bubble about
which complaint is made.
In a recent judgment, Chase Manhattan Overseas
Corporation v Chase Corporation Limited (24 December 1985, not
reported) I attempted a summary of the legal principles
relevant to the determination of the question whether the use
by a corporation of a particular name amounts to conduct which
is actually or potentially misleading or deceptive, contrary
to 3.52. I need not repeat the whole of that summary but, in
the present context, it is necessary to recall that conduct
does not offend against s.52 unless it contains a
misrepresentation and that conduct is to he regarded as likely
to mislead if this is a "real and not remote chance or
possibility": see Global Sportsman Limited v Mirror
Newspapers Limited (1984) 55 ALR 25 at p.30. The question
whether conduct is, or is likely to he, misleading or
deceptive 13 an objective one, to be determined by the Court
for itself in relation to one or more identified sections of
the public, the Court considering the full range of persons
who fall within any particular identified section of the
public. Evidence of the formation in fact of an erroneous
conclusion is admissible but not conclusive; but, ordinarily,
mere proof of confusion or uncertainty will not suffice to
prove misleading or deceptive conduct.
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15.
- In the present case the section of the public likely
to be affected by the sale of T-shirts bearing the names of,
or symbols relating to, INXS is the body of people who enjoy
the music of that group: the people who attend their
concerts, purchase their records and/or listen to their music
on the radio or on television. Bearing in mind the notorious
fact that the proportion of persons in any given age group who
are rock enthusiasts tends to diminish with increasing age, it
is reasonable to assume that a major proportion of INKS
followers are teenagers or persons in their twenties. There
is no reason to assume otherwise than that, in intelligence
and educational attainments, INXS followers will represent a
fair cross-section of the community.
It is clear on the evidence that, during recent
years, the members of INXS have carried on the subsidiary
business activity of licensing the sale of merchandise,
principally T-shirts, bearing the name of, and other
references to, their group. The sale of this merchandise has
occurred principally at concerts in which they have performed,
in circumstances likely to lead a reasonable concert-guer to
infer that the goods are sold with the blessing of the members
of the band. The evidence indicates that there has been
considerable publicity given to the current scale and method
of operation of the merchandise licensing system associated
with rock groups. Under those circumstances it is probable
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16.
that many rock enthusiasts will assume that the merchandise
they see sold at INXS concerts is approved by the members of
the group in return for a royalty or other fee. If they see
what they recognize as that same merchandise sold in some
other location, such as a record shop, they are likely to make
the same assumption. Leaving aside for the moment one
argument put on behalf of the respondents, it seems to me
probable that they will make the same assumption if they see
what is apparently the same merchandise offered for sale at a
market stall. There is no question of an accidental
similarity of name -- such as in Chase -- or of a name which
might be adopted by the respondents without any intention of
identification with the first applicants. This is not a case
in which the name adopted by a defendant is descriptive of his
or her business as in Hornsby Building Information Centre Pty
Limited v Sydney Building Information Centre Pty Limited
(1978) 140 CLR 216. The word "INXS" is a concocted or fancy
name to which may be applied the observation of Lord Simonds
in Office Cleaning Services Limited v Westminster Window and
General Cleaners Limited (1946) 63 RPC 39 at p.42:
",.ein the case of trade names the Courts will
not readily assume that the use by a trader as
part of his trade name of descriptive words
already used by another trader as part of his
trade name is likely to cause confusion and
will easily accept small differences as
adequate to avoid it. It is otherwise where a
fancy word has been chosen as part of the
name. Then it is that fancy word which 1s
discriminatory and upon which attention is
fixed and if another trader takes that word as
part of his trade name with only a small
variation or addition, he may well be said to
invite confusion. For why else did he adopt
it?"
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17.
But this case does not rest on the word "INXS" alone; any
possible doubt is set to rest by the inclusion upon the
T-shirts of other references to the group. The situation
then is that the respondents are putting onto the market
merchandise which adopts the name and other symbols of the
applicants and which is an almost exact copy of the
merchandise marketed with their approval. It is appropriate
to apply to the case the comment of Dixon and McTiernan Jd.
in Australian Woollen Mills Limited v FS Walton & Company
Limited (1937) 58 CLR 641 -- an action for passing off -- at
p.657:
"The rule that if a mark or get-up for goods 1s
adopted for the purpose of appropriating part
of the trade or reputation of a rival, it
should be presumed to be fitted for the
purpose and therefore likely to deceive or
confuse, no doubt, is as just in principle as
it is wholesome in tendency. In a question
how possible or prospective buyers will be
impressed by a given picture, word or
appearance, the instinct and judgment of
traders is not to be lightly rejected, and
when a dishonest trader fashions an implement
or weapon for the purpose of misleading
potential customers he at least provides a
reliable and expert opinion on the question
whether what he has done is in fact likely to
deceive."
- In Nostac Enterprises Pty Limited v New Concept
Import Services Pty Limited (1981) ATPR 40-235 Ellicott J.
considered a claim for an interlocutory injunction to
restrain the sale of show bags containing the name "Mr Men"
or a representation of any of the characters in that series
of books and television episodes. There was no evidence to
a ine cee etna meee ee
18.
found an inference that the public would assume a financial
association between the creators of the "Mr Men" characters
and the sale of products referring to them. Nevertheless an
injunction was granted, his Honour expressing the view that
"the use of the 'Mr Men' words and characters represent to
the public ... that there is some likely association between
the product and those responsible for the 'Mr Men' books and
TV series". A similar comment may be made about the use, in
the present case, of names and symbols associated with INXS;
put if I am correct in inferring that many members of the
public will assume an approval in return for a financial
benefit, this case is even stronger than Nostac.
However, counsel for the respondents argues that,
notwithstanding the almost exact reproduction by his clients
of the designs of the applicants, there is in this case no
basis for an apprehension that purchasers will be deceived.
He points to two matters: the facts that, so far as the
evidence indicates, all sales on behalf of his clients have
taken place at a stall at which there is some reference to
"Bootleg Industries" and have been of garments bearing what
he calls a disclaimer of approval by members of INXS.
There are occasions upon which the effect of
otherwise misleading or deceptive conduct may be neutralized
by an appropriate disclaimer: see Abundant Farth Pty
Limited v R C Products Pty Limited (1984) 59 ALR 211 at
en ee ee a ete rte nt
19,
p-e217 and the authorities there cited. But such cages are
likely to be comparatively rare and to be confined to
situations in which the court is able to reach satisfaction
-- the onus resting on the party relying upon the disclaimer
-- that the disclaimer is likely to be seen and understood
by all those -- leaving aside isolated exceptions -- who
would otherwise be misled before they act in relation to the
relevant transaction. In the present case, it seems to me
that it is difficult to feel satisfied, both as to seeing
and understanding, in respect of both the name of the stall
and the labels and stickers.
The assumptions underlying counsel's reliance upon
the first matter are that all potential purchasers would
notice the use of the trading name "Bootleg Industries" and
would understand from it that the items offered for sale
were unapproved, or may be unapproved, by those with whom
they were apparently associated. I have some reservations
about the validity of the first assumption. In relation to
the second, the inclusion of the alternatives "may be
unapproved" leaves open the possibility of the error made by
the sales assistant who incorrectly assured Mr Wise that, in
the case of INXS, the garments were approved. But I think
that the greatest difficulty is in accepting that all except
an insubstantial number of potential purchasers would
appreciate the significance of the word "bootleg". As the
Macquarie Dictionary explains, that word -- which has its
" ee ee es ee oe ee rer)
wien ne Vode Ae eee et Ok rte ne a a
20.
etymological root in the smuggler's practice of concealing
illicit spirits in that part of the boot which covers the
leg -- has developed to refer generally to an unlawful or
clandestine object or enterprise. Many INXS fans, perhaps
even the majority of them, would in the present case
understand the word "bootleg" to indicate that some or all
of the merchandise offered for sale under that title was
illicit in the sense of being unauthorized by the persons
with whom it claims association. But the word is not one in
everyday parlance. Not all potential purchasers will he
persons of wide vocabulary. The word "bootleg" was new to
one of the three witnesses approached at Pier One at the
time of that interview. Particularly in the absence of any
evidence as to public acquaintance with the word, I am
unable to feel satisfied that his is an isolated case.
One problem about the stickers and labels is that
they may not come to notice before purchase. As I have
mentioned, none of the Pier One witnesses noticed them when
shown the respondents' T-shirts. If a purchaser did see and
read the sticker or label on a particular T-shirt, it is by
no means clear that he or she would understand it as a
statement that the garment had no association whatever with
INXS. Indeed I suspect that many potential purchasers would
not understand it at all. A number of studies have
demonstrated that legalistic English is not widely
understood in the Australian community; hence the movement
nn i rR en ee et te me er ee ree
ee ee ene
21.
for "Plain English" drafting of legal documents and
legislation: see the Report of the Senate Standing
Committee on Education and the Arts, "A National Language
Policy", published in October 1984 paras.3.10 - 3.22. But
difficulties are not confined to legal documents. They
extend to government communications, such as brochures and
forms, and non-government communications, such as classified
newspaper advertisements, which employ language not used in
everyday speech:. see the papers presented at the seminar
organized by the Department of Special Minister of State in
Canberra on 14 June 1983 and in particular the surveys
reported in the paper of Dr Judith Goyen. In this situation
it would be a brave assumption that the meaning of words
such as "warrant", "depiction" and "authorised" would be
readily appreciated by all but an insignificant proportion
of potential T-shirt buyers.
I cannot feel satisfied that either of the
disclaimers relied upon would be effective, in all but
isolated cases, to remove the likelihood of error. It
follows that there is a serious question to be tried that
the sale by the respondents of the three styles of T-shirts
copied on their behalf from the applicants' designs
constitutes misleading or deceptive conduct in breach of
s.52 and that, in breach of s.53(c), they have represented
in connection with the supply of those T-shirts that the
T-shirts have a sponsorship or approval -- namely by the
INXS band ~~ that did not in fact exist.
22.
Passing off claims
In a case such as this there is considerable
overlap between claims under s.52 and s.53(c) and the common
law claim of passing off. However, as it seems to me, the
claim in passing off is even stronger that the claims under
the Trade Practices Act. Actions for passing off have
succeeded where there has been a use of the plaintiff's name
even in respect of a totally different type of product: see
Lego System Aktieselskab v Lego M Lemelstrich Limited (19831
F8R 155 and compare Radio Corporation Pty Limited v Disney
(1937) 57 CLR 448. The better view now is that there is no
necessity for a common field of activity between the
plaintiff and the defendant, provided that there is a
misrepresentation by the defendant concerning the
defendant's name or product resulting in a likelihood of
damage to the plaintiff, as for example confusion adversely
affecting goodwill -- see Erven Warnink Besloten
Vennootschap v J Townend & Sons (Hull) Limited £19793 Ac
731, Lego System -- or wrongful appropriation of the
plaintiff's name and reputation -- see Henderson v Radio
Corporation Pty Limited £1960] SR (NSW) 576 at pp.595,
603-604, Totalization Agency Board v Turf News Pty Limited
£19673 VR 605, although compare Lyngstad v Anabas Products
Limited (1977) 3 FSR 62 at pp.66-67. But in this case the
applicants and the respondents are in direct competition in
egh e nane ap a ty ete ro ri cor ei et wows ee
we eee we ent eet ee ne
23.
the same market. The respondents have copied the
applicants' goods and put the copies onto the market in such
a manner as to be likely to cause at least some purchasers
to buy them in the belief that they were purchasing the
goods of the applicants. Once it be accepted that the
"Bootleg" name and the stickers/labels will not be effective
to prevent a substantial proportion of purchasers being
misled, the case is a classic example of the passing off by
a trader of its goods as those of its rival.
Copyright claims
The evidence establishes that the designs copied
for the purpose of the manufacture by the respondents of the
three subject T-shirts were created by Mr Mortlock and Ms
Heristanidis respectively. The artwork for each design was
a drawing -- or alternatively "a work of artistic
craftsmanship" -- and, therefore, within the definition of
"artistic work" in s.10 of the Copyright Act 1968. Mr
Mortlock and Ms Heristanidis were each resident in Australia
and, therefore, were each "qualified persons" within the
meaning of s.32(4) of the Act when they executed the
artwork. The first publication of each of the works
apparently took place in Australia. It follows that,
subject to the Act, copyright subsists in the work: see
8.32(2). The usual duration of that copyright would be 50
years from the death of the author: see s.33(2). Ownership
ee a en eg woe wore ne ee eee = oe
ee re er won - ee -+
24.
is apparently vested in Starstruck as the person
commissioning the drawings -- see s.35(5) -- but it is not
necessary to determine that point because, in the
alternative, it is vested in the authors themselves who are
each applicants herein: see s.35(2).
However, the respondents argue that the rights thus
apparently vested are defeated by the provisions of Division
8 of Part III of the Act (ss.74-77) relating to designs.
Broadly stated, the scheme of that Division is to remit to
the provisions of the Designs Act 1906 the rights of
copyright owners in relation to artistic works used in
designs applied for industrial purposes. Section 74 defines
the term "corresponding design", in relation to an artistic
work, as meaning a design that, when applied to an article,
results in a reproduction of that work. The word "article"
in this definition should be interpreted so as to exclude
things whose only function is to carry a design: see
Littlewoods Pools Limited""s Application (1949) 66 RPC 309.
The rationale of that exclusion, as was explained by Wynn
Parry J. in that case at pp.310-311, is that such a thing,
the paper or material to which the drawing is applied, is so
subordinate or secondary to the features of pattern or
ornamentation which constitute the design as to have no
separate existence of its own. However, this cannot be said
of a T-shirt which has a function independent of the
ee nee ne Re ce ee EU ener Sete re me ee ne ee sree ae
25.
carriage of any ornamentation which it may bear. A T-shirt
must be regarded as an "article" for the purpose of the
definition.
Section 75 of the Copyright Act provides inter alia
that, where copyright subsists in an artistic work and a
corresponding design is registered under the Designs Act, it
is not an infringement of the copyright in the work to do
anything, while the monopoly in the registered design
subsists under the Designs Act, that is within the scope of
the monopoly in the design. Section 76 deals with the false
registration of industrial designs. However, the designs of
the applicants have not been registered under the Designs
Act; so that s.77 is the provision which is critical to
this aspect of the present case. That section relevantly
provides:
"77(1) Where --
(a) copyright subsists in an artistic
work;
(b) a corresponding design is applied
industrially by, or with the licence
of, the owner of the copyright in
the work;
(c) articles to which the corresponding
design has been so applied (in this
section referred to as "articles
made to the corresponding design")
are sold, let for hire or offered or
exposed for sale or hire in
Australia; and
"(d) at the time when those articles are
so sold, let for hire or offered or
exposed for sale or hire, they are
en ee et eS we ee arene
ee tind tent ne en eee ee eee ed
26.
not articles in respect of which the
corresponding design has been
registered under the Desiqns Act
1906-1968,
the succeeding sub-sections of this section
have effect.
(2) During the period of 16 years
commencing on the date on which articles made
to the corresponding design were first sold,
let for hire or offered or exposed for sale or
hire in the circumstances referred to in
paragraph (1)(d), it is not an infringement of
the copyright in the work to do anything that,
at the time when it is done, would have been
within the scope of the monopoly in the
corresponding design if the corresponding
design had, immediately before that time, been
registered in respect of all articles made to
the corresponding design that had, before that
time, been sold, let for hire or offered or
exposed for sale or hire in those
circumstances.
' (3) ...
(4) For the purposes of this section,
account shall not be taken of any articles in
respect of which, at the time when they were
sold, let for hire or offered or exposed for
sale or hire, the corresponding design
concerned was excluded from registration under
the Designs Act 1906-1968 by reguiations made
under that Act for the purpose of excluding
from registration designs for articles that
are primarily literary or artistic in
character ..
(5) The regulations may make provision
for determining the circumstances in which a
design is, for the purposes of this section,
to be deemed to be applied industrially."
The regulations made under the Designs Act, referred to in
sub-s.(4), list various articles which are designated as
being "primarily literary or artistic in character". The
list does not include garments of any sort. Regulation 17(1)
of the Copyright Requiations, made pursuant to s.77(5) of
ee ee ee Cp rem Se I ae arr Sen nee ape ee te oe eee ne ete eee wee
9 VER Cree =
eee ee te ee ee ee re oe ---- + aor ee
27.
the Copyright Act, deems a design to be "applied
industrially", amongst other situations, where it has been
applied-to more than 50 articles.
Although there is no specific evidence as to the
numbers of "flag" and "Listen Like Thieves" T-shirts and
"The Swing" album covers which were manufactured on behalf
the applicants, it is clear that the number in each case
exceeded 50. Thus s.77(1)(b) is satisfied in this case.
Section 77(1)(c) requires that at least two articles to
which a relevant design has been applied be sold, hired or
offered for sale or hire in Australia, that is by, or with
the licence of, the copyright owner. This condition is
satisfied in respect of each of the three designs.
Consequently s.77(2) operates, with the result that, for the
period of 16 years after the date of the first sale or offer
for sale by, or with the licence of, the applicants, it is
not an infringement of the copyright in the artistic work to
do anything that would have been within the monopoly of the
corresponding design had it been registered in respect of
all articles made to the corresponding design and previously
sold, hired or offered for sale or hire by, or with the
licence of, the applicants.
The scheme of the Designs Act is that an
application for registration of a design must be in respect
of a particular article: see definition of "design" in s.4
TO Men ny ee Ste ee me ee ee ee ee ae ed i
28.
and 33.17, 20(6) and 23(3). Consequently the monopoly given
by the Designs Act extends only to the use of the design in
relation to articles in respect of which registration has
been effected: see $.30(1).
Section 77(2) is consistent with the concept of
specificity of registration. A copyright owner only loses
his or her rights under that section in respect of
infringements made by another person in regard to articles
of the same type as those previously sold, hired or offered
for sale or hire by, or with the licence of, the copyright
owner. In the present case the third applicant, prior to
the date of the alleged infringements and with the licence
of the other applicants, sold and offered for sale T-shirts
bearing the "flag" and "Listen Like Thieves" designs. The
effect of s.77(2) is to deprive all the applicants of any
protection under the Copyright Act in respect of the use of
those designs by others upon the same article, that 1s upon
T-shirts. But, so far as the evidence indicates, none of
the applicants have ever sold, hired or offered for sale or
hire T-shirts bearing "The Swing" design. Their use of this
design for album covers would deprive them of the protection
of the Copyright Act in relation to any copying by others of
"The Swing" design on album covers; but it does not affect
their right to restrain the use by others of this design on
other articles such as T-shirts. The applicants have a
prima facis case under the Copyright Act in respect of, but
only in réspect of, the respondents' "The Swing" T-shirt.
29.
The interrelationship of Copyright legislation with
legislation providing for the registration of industrial
designs has proved a troublesome matter in a number of
countries. Various expert committees have recommended a
variety of solutions: see Lahore "Intellectual Property Law
in Australia - Copyright" (1977) at pp.279-282. The
arguments for and against the exclusion from copyright
protection of registrable designs are summarised by
Ricketson: "The Law of Intellectual Property" (1984) at pp
513-574. In Australia the Designs Law Review Committee (the
Franki Committee), which reported in 1973, recommended
(p.110) the continuance of the policy of exclusion of
registrable designs from copyright protection but subject to
certain modifications in the then existing law. One of the
proposed modifications was the exclusion from the definition
of "corresponding design" in s. 74(1) of the Copyright Act
of "a design that consists solely of features of two
dimensional patterns or ornaments applicable to a surface of
an article".
Some of the Franki Committee's recommendations were
carried into effect by the Designs Amendment Act 1981. For
reasons which do not appear in the second reading speech of
the Minister at that time, the recommendations in relation
to dual protection, which were praised by Ricketson at p.525
as "a rational and commensense approach to the problem of
ee ee Le em OR eee
ee ee
' 30.
protection", were not carried into effect. That this is
"unfortunate -- at least in respect of the recommendation
relating to two dimensional designs -- is, in my opinion,
illustrated by the facts of this case. The designs used in
the applicants' T-shirts are each works commissioned by
Starstruck from a professional artist at its own expense for
its own purposes. Starstruck could have used that design
for the purpose of, say, a poster advertising INXS without
thereby forfeiting its right to restrain someone else from
using the design on a T-shirt. But, because the company
chose to employ the design it had commissioned upon an
article having functional utility, all other people are
free, insofar as the law of copyright is concerned, to
appropriate the design for their own commercial ends. Ina
practical sense it does not seem sufficient to say that the
copyright owner might have obtained some protection by
registration under the Designs Act. It is hardly realistic
to expect the creators of new designs for the ornamentation
of clothes, or those retaining them, to undertake each time
the task of obtaining registration of the design. The
fundamental reasons for excepting industrial designs from
the protection of copyright law are to avoid uncertainty in
the industrial world and to avoid hindrance to the
improvement of the design of manufactured articles. It is
difficult to see that these reasons have much relevance to a
two dimensional artistic work printed onto clothing which,
at a glance, will appear as somebody's original creation.
meen meee ee ne ee en tere ee SE en eee re te me
See Se
o
Ne
~ 31.
On the other hand it might cogently be argued that the
denial to such a work of copyright protection is a
disincentive to the development of better design in this
area. As the Minister in charge of the 1981 Bill said in
his second reading speech: "If good design is to flourish,
those responsible for producing it must be protected": see
Parliamentary Debates, House of Representatives, 7 April
1981, p.1369.
Balance of Convenience
I have reached the view that, in relation to all
three of the subject T-shirts, the applicants have a strong
prima facie case in respect of the claims made under each of
5.52 and s.53(c) of the Trade Practices Act and under the
law relating to passing off and that, in respect of "The
Swing" T-shirts, there is such a case pursuant to the
Copyright Act. The question, therefore, arises whether,
having regard to the comparative balance of convenience,
interlocutory relief should be granted. Counsel for the
respondents submits not. On behalf of his clients he offers
an undertaking to keep accounts and he submits that, if the
applicants are eventually adjudged to be entitled to
succeed, such accounts will permit the accurate assessment
of their damage. The submission assumes that any accounts
which were kept would be complete and accurate and that the
respondents have the resources to pay any damages which may
gamers a eee ee - oe we ase oye wo a or
32.
be awarded. These are assumptions which it is not easy to
make. It would be difficult, if not impossible, for the
applicants to demonstrate any understating of sales volume
which might occur. Very little is known of the respondents,
who have not given any evidence in these proceedings. In
particular, there is no evidence as to their financial
competence.
There is one other matter which is relevant to the
balance of convenience. I have already mentioned that the
members of INXS have always insisted upon a high standard of
design of the merchandise put onto the market with their
endorsement. It is common ground that the T-shirts marketed
by, or on behalf of, the various applicants are of high
quality. By contrast, according to the uncontested evidence
of Ms Shearer, the respondents' T-shirts suffer from
deficiencies as to styling, choice of fabric used -- in one
instance only -- and clarity of printing. Ms Shearer
expressed the concern, which is I think reasonable, that the
reputation of the applicants would be damaged by the release
onto the market of inferior garments, erroneously associated
with the applicants. The possibility of damage to the
reputation of the plaintiff during the period of any trading
by the defendant is always a matter relevant to the balance
of convenience; cf Tavener Rutledge Limited v Trexapalm
Limited £19772 RPC 275 at p.282.
eee ene en on me en eee eee en ore nee er en ee cee oS we sete en
33.
Against these factors, which point to the granting
of interlocutory relief, must be set the question whether,
if the proceedings fail, the respondents will be adequately
protected by the undertaking as to damages which the
applicants have already given in respect of the ex parte
injunction and which they maintain. Both the first and
third applicants appear to be operating substantial
businesses. Counsel for the respondents had the opportunity
in cross-examination to explore the question of the
financial resources of the various applicants, but he did
not do so. Under those circumstances, and having regard to
the businesses they conduct, it is appropriate to deal with
the matter upon the basis that the applicants have the
capacity to honour their undertaking, if so required. It is
true that, if the respondents are restrained from selling,
there will be no proof available to them of the sales which
they would have made during the period of restraint.
However, they have had some experience of selling INXS
T-shirts as part of their range of merchandise. They will
have some knowledge of the proportion of those sales to
their total sales. They would be in a position to prove the
volume of sales of other T-shirts during the period of
operation of the interlocutory injunction. Whilst any
assessment of their damage would necessarily involve an
element of judgment, it cannot, in my opinion, be said that
the respondents are likely to be left uncompensated for any
damage actually sustained. Taking into account the matters
nen ee te nt ba ee 8 cee eee
34.
of convenience on each side, and bearing in mind the
considerable strength of the applicants' case, it is
appropriate to exercise the discretion of the Court in
favour of continuing the injunction.
Orders
The orders made on 22 January 1986 reflected a
preliminary view that the applicants were entitled to
restrain an infringement of copyright in respect of all
three T-shirts. The argument has shown this view to be
erroneous in respect of two of the three designs. In
relation to those two designs the prohibition should be
confined to the advertising, promotion, display, offering
for sale, selling, or otherwise dealing with the T-shirts.
In relation to the third design, "The Swing", the original
orders should be retained. As there now appears to be no
threat to offer for sale any other T-shirt bearing the word
"INKS", there is no occasion to continue that part of the
injunction. The injunction should extend to passing off.
It is conceivable that the respondents may devise
some method of marketing the T-shirts -- more particularly
the "flag" and "Listen Like Thieves" T-shirts -- which does
not involve a breach of the Trade Practices Act or an act of
passing off. It is undesirable to attempt to anticipate
that eventuality by now devising a qualification to the
er a ns a pm emt - een ne - ee - se
35.
order, the operation of which may give vise to uncertainty.
However, liberty should be reserved to the respondents to
apply in relation to the dissolution or variation of the
injunction.
It appears that the second and third respondents
are the persons through whom the first respondent acts.
They have been knowingly concerned in the infringement by
the first respondent of ss.52 and 53(c) of the Trade
Practices Act; accordingly an order should be made
restraining them from being knowingly concerned in any of
the acts in relation to which orders are made against the
first respondent. Similarly, it appears from concessions
made by its counsel that the fourth respondent is, as
alleged, actively involved in the printing of the T-shirts
and it is therefore appropriate that orders be made against
that respondent. The costs of the motion to continue the
injunction should be the applicants' costs in the
proceedings against the first, second and third respondents.
I certify that this and the thirty-four (34)
preceding pages are a true copy of
the Reasons for Judgment herein of
his Honour Mr. Justice Wilcox.
Date: 28 February 1986
Associate:
averse eee Se eer ens at eee ne wb wererrt ns mee oe ees woe =e oe eee — -
Counsel for the applicants:
Solicitors for the applicants:
Counsel for the first, second
and third respondents:
Solicitors for the first,
second and third respondents:
Counsel for the fourth
respondent:
Solicitors for the fourth
respondent:
Date(s) of hearing:
36.
Me MR Ellicott
Messrs Peter Wise & Co
Mr J Ireland
Messrs Lecn M Ratner
Mr J K McLaughlin
Messrs Makinson & d'Apice
4 February 1986
En re Sie mentee cennmermenne wey ee ee